Commitment is Everything

“How did you get them to do that?" Simply: I ask. But it's my full commitment that makes them say yes.

I met Nanfu Wang, the audacious director of 'One Child Nation,' at a local filmmaker and journalist meetup and soon arranged to photograph her.

Before the shoot, I visited her home to scout the location and wardrobe. At some point, maybe because I was comfortable or because she’s clever, I blurted out, “I don’t care if you hate me after this.” She laughed.

I don’t want people to hate me, especially those I admire, but I tell myself this to stay free—unburdened by the need for approval. In an assignment, I have to be all in. The best photos often happen by accident, but those opportunities are made from my commitment.

When I push myself—thinking outside the box with location, timing, or concept—it shows. The subject senses my engagement and wants in; it's an opportunity for them too. People ask, “How did you get them to do that?" The answer is simple: I ask. But it's my full commitment that makes them say yes.

I framed this as a binary, because it’s easier to not be engaged. Frankly, almost no one wants it. It’s inconvenient for family, more work for assistants, and a headache for clients. It would be easier to make safe, flattering images. But I'd rather swing for the fences—create something weird, beautiful, and unforgettable.

Top Image: Nanfu Wang, November 2024.

Second Image: I asked Nanfu if she smoked. She looked back at me intensely, as if to say, “How did you know?”